Archive for February, 2010

24 Feb

WOW: Hank Phillippi Ryan

I have a great review of a great book that I was going to share for today’s Women on Wednesday, but then this mail hit my inbox and I HAD to share it.

Here’s what her e-mail said:

AIR TIME is nominated for the AGATHA for Best Mystery of 2009! One of the most prestigious honors bestowed on a mystery writer, the Agatha Awards celebrate the traditional mystery—books best typified by the works of Agatha Christie. The prize, the fabled ceramic teapot, will be awarded at the Malice Domestic Conference in Washington, DC in May.

I hear Malice is a lot of fun, and more reader oriented, too. I wish I could go! DC’s not that far from West of Mars.

We’re not done, though. A short story Hank wrote is also up for an Agatha for the best short story of 2009, too.

See? You guys think I’m all fan girl over just another author. Hank is anything but. I’ve been telling you that for MONTHS now.

Anyone else writing about women authors or books penned by women? Come join Women on Wednesday and let’s give our gender some extra props. If you need more information about WOW, click on the tab at the top of the page (which means you feed reader folks need to click through. But I bet you knew that…).

04 Feb

Review: Don’t Sleep with your Drummer

One of the more recent books to cross my radar, Jen Sincero’s Don’t Sleep With Your Drummer certainly didn’t languish on the TBR pile for long. I’m not sure why; I had picked it up on the recommendation of a fellow PaperbackSwap member and I guess it just called to me.

There’s a lot to like about this book. Yeah, it’s sort of cliched in that this story’s been told before: girl decides to drop her life and make one last shot at the big time. But it also avoids falling into the many cliches and death traps that so many rock and roll novels fall into. Yes, the bass player is a junkie. Yes, the drummer’s hot. Yes, the lead guitarist is flaky. It’s the way that Ms. Sincero deals with all these that elevates this book into one I’d recommend.

Let’s start with Lucy. We’re told she’s flaky, but from where I sit, she’s not so bad. Every time she seems to flake on Jenny, she’s doing it for the same reason (and that reason isn’t a man, despite Jenny’s jealousy of Lucy’s way with the opposite gender). It was apparent to me that Lucy was in Sixty Foot Queenie only to make Jenny happy. Her heart was with the Afreaka! outfit; it’s a character flaw in Lucy that she wasn’t brave enough to speak up. It’s also a character flaw in Jenny that she wasn’t willing to see this and to let her best friend go.

Jake the junkie… This was one of the plot lines that wasn’t well served by Jenny’s easy-breezy voice. There’s a lot going on here, with an ex-wife, some violence, the drug use. Yet we never see beneath the surface. I’d have liked to, even a little bit.

Same for Scott the hot drummer with the serious jealousy issues. Here’s a man who’s willing to park his truck around the corner and crawl out the bedroom window so no one finds out he’s schtupping the band leader, yet if anyone touches his girl — the band leader, who of course is going to be the center of attention — he goes ballistic. It makes no sense. I need a backstory here. I need some character development.

I also wonder about the need to hide the relationship. After all, Rob Zombie and Sean Yseult, anyone? Yeah, the end of their relationship was the end of White Zombie, but for years, they made quite the team. Yes, Scott’s jealousy issues doom this relationship, but Jenny didn’t know that when she felt the electricity between herself and Scott. Yet she was all too quick to proclaim this fling as wrong. She never gave it a chance.

Ultimately, I had a hard time liking Jenny. My biggest issue with her was that she came across more like a nineteen-year-old kid than she did as a twenty-nine-year-old woman. That’s not because I was married by age 29 and therefore, Jenny was wrong to be so flighty. Hardly.

Jenny had a naivetivity to her that would have worked for a younger character, but didn’t work in someone who should have gained some worldliness and maturity. I frequently found myself losing patience with her, counting how many pages I’d read, and wondering if I could quit reading now.

I’m glad I didn’t. While Jenny never really grew into a woman in her late ’20s, this problem managed to stop bothering me so badly once the band began to take off. Besides, she had moments that salvaged some of my good will toward her — like when she was tutoring and found a way to get one of the kids to break his writer’s block. THAT was a masterful moment.

Ultimately, I like rock and roll fiction best when the pages breathe music, and Don’t Sleep with your Drummer certainly did that. The music end of this book is real. It’s vivid. It’s almost enough to make up for the other issues I had.

Oh, if only Jenny had been nineteen instead of 29… we’d have a rave-worthy book…

Fiction Blogs - BlogCatalog Blog Directory